Crime, read seriously
Three detectives investigate with you. Each one sees what the others miss. You choose who you go in with.
Three detectives, three ways of looking
You never investigate a case file alone. Not with a narrator reading the case in a neutral voice, but with a detective who has a biography, a method and blind spots of their own. That choice decides what gets lit first and what stays in shadow.
At midnight we all raised a glass in the lounge. Marcos said he had been in the kitchen since eleven, making dessert. He turned up late for the toast, hands freshly washed. He said he had heard nothing. The umbrella was still dry by the door.
“Hands give away what the voice holds back.”
She spent fifteen years on the other side of the table, drawing statements out of people who had decided not to give them. She learned that almost nobody lies well, and that almost nobody knows how to look. She points out who to stop believing; naming the guilty one is up to you.
“If you have three versions of the same crime, two suspects are lying and one does not remember.”
He trained in a forensics lab. To him an interrogation room is noise: people get it wrong, embellish, talk themselves into their own version. What matters to him is which version survives the data.
“What does not fit is almost always what matters.”
Thirty years on the job and too many cases she should not remember and remembers anyway. Her intuition is compressed experience. First she points at where to look; the explanation comes later, if it comes.
No board. No turns. Just the case file, your method and a crime that is not going to explain itself.
Documents, photographs, forensic reports and statements. Everything the investigation has on the table, on paper or on screen.
Kelly, Diego or Inés. Each one teaches you to read the same case their way and lets you see what the others do not.
You interrogate, cross-check evidence and pull the loose end. Nobody tells you where the answer is, just like in a real case.
You close the case with your verdict. You confirm whether you got it right, or you go back in with another pair of eyes.
Game modes
You sit down with the case file, alone or as a team, and you do not get up until you accuse. A one-night game that starts and ends in one go, without sleeping on the leads: intense and closed.
The case stays open for seven days. You investigate in stretches, sleep on your theories and come back with a cool head. For the case files that do not get solved in one sitting.
Play the printed case file, with the documents in your hands, or digitally from your phone, tablet or computer.
Connect your device to the TV to put the cinematics on the big screen while you work through the evidence on your phone, tablet or computer.
See the casesThe same case reads differently depending on who you go in with.
Quick Match or Long Match. You decide how long the investigation lasts.
From your first night to cases with no guided leads.
You compete for rank in every case file, mode and format.
Thirty days, no questions. And as a new project, you can be among the first to close a case.
Still have questions? Browse the case list and start tonight.
Not at all. Pick the Easy level to get familiar with the evidence and how the game works in just a few minutes.
Both. From 1 to 6 investigators depending on the case. In a group, each of you can go in with a different companion and argue about what you see.
Yes, and that is the point. With Kelly, Diego or Inés the same case lights up differently. What one method misses, another underlines.
When you accuse, you confirm your verdict. If you are right, you see the confession. If you are wrong, you go back to the file with one more lead.
The content is the same. Digital is instant and plays on any screen. Physical is the box with the documents in your hands, to keep or to give.
Yes. The physical edition is a good gift for anyone who watches true crime and would like, for once, to solve it.
Investigation chronicles, cases from the community and first word on new case files, before anyone else.
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